By Andrew Cashing It’s easy to leave footprints on the Web and forget about them. Content we added years ago fades from memory, but remains accessible, preserved like time capsules of former thoughts and attitudes. Police reports, newspaper articles about high school achievements and archived Live
By Michael Jewell The heroes in the comic books of my childhood were titans. Their grotesque physiques acted as pillars of unambiguous moral clarity against the hazy backdrop of my boyhood. In sending me to summer camp, perhaps my parents thought that I would be molded into the shape of these remark
Friday, March 7 Make a living in the arts “Show Me the Money” panel discussion Oglethorpe House ballroom 201 W. Oglethorpe Ave. Telfair Museum of Art grants manager Amy Belnap, Savannah Music Festival education and program manager Gene Pinion and theatrical director, producer and SCAD professor
BY BRIAN SMITH, Arts and Entertainment Editor PHOTOS BY JORDAN SINGER, Photo Editor Name: Liz Garner Major: Film and Television Fourth-year Hometown: Columbus Liz Garner sometimes thinks she should have majored in fibers. Her senior project focuses a lot on her passions: crochet, knit and felt work.
“Thank you, everyone who supported me in getting to that point, God, my family and friends for always supporting me, and the Academy.” Amanda Shaw Interior Design / Fourth-year Craddockville, Va. “Thank you. And thanks to my fans.” Michael Crawford Fashion / Third-year Atlanta “I would say
Friday, Feb. 29 Be confused, but then realize there’s a reason for today Bissextile Day Well, it’s a leap year, so we get to enjoy one more day of February. Without the addition of today, our calendar wouldn’t stay coordinated with the sun’s apparent position in the sky. Today, you could pla
By Danielle Koch The spring dance show, which was tentatively scheduled for April 26, has been cancelled due to scheduling conflicts. Typically, the dance show is a production put on by the performing arts department featuring the talents of students and choreography by dance professor Vincent Bross