“Saturday Night” and its captivating chaos

Written by Ky Tanella. Photos by Ally Abruscato.

“Saturday Night” premiered at the Lucas Theatre on Wednesday, Oct. 30. Writer/Director Jason Reitman – director of critically acclaimed films such as “Juno,” “Thank You For Smoking” and “Up in the Air” received the Vanguard Director Award. Following the screening, he led a very inspiring Q&A, supported by costume designer Danny Glicker and casting director John Papsidera.

The extremely energetic film details the chaotic 90 minutes that led up to the first ever broadcast of “Saturday Night Live,” on Oct. 11, 1975. It follows Lorne Michaels (played by Gabriel LaBelle) as he attempts to get his cast and crew to get it together before showtime, dodging technical difficulties, cocky executives and script issues.

It goes without saying that this cast is completely stacked, not just with amazing modern day actors, but with comedic legends being brought back to life. Dan Aykroyd (Dylan O’Brien), Chevy Chase (Cory Michael Smith), Garrett Morris (Lamorne Morris), George Carlin (Matthew Rhys), Andy Kaufman and Jim Henson (Nicholas Braun), John Belushi (Matt Wood) and Billy Crystal (Nicholas Podany); the list goes on and on. However, I can’t forget the unforgettable women who played Rosie Shuster (Rachel Sennott), Gilda Radner (Ella Hunt), Laraine Newman (Emily Fairn) and even artist Janis Ian (with a shocking cameo from Muna’s Naomi McPherson).

While the cast is undeniably talented – and all do a fantastic job impersonating their respective counterparts – the movie really shines in Reitman’s energetic direction and chaotic, hilarious, yet very grounded script. He showcases a clear love for “Saturday Night Live,” and all of the creativity and legacy that it built. Juggling dozens of iconic characters and attempting to showcase all of their personalities is no easy feat, but he does so effortlessly, and it’s extremely impressive. Lastly, the score is incredible (composed by Jon Batiste). The film makes a point to let you know how much time is left until broadcast, and Batiste’s score incorporates clock ticking and tempo shifts – it speeds up during those extremely chaotic moments, but slows during a moment of intense thinking or suspense. Even though it’s not a thriller in any aspect, I was on the edge of my seat the entire time – even though, obviously, we all know how it ends. The costume design is also impeccable, the extreme attention to detail and 70s style is so gorgeous.

I highly recommend “Saturday Night” to fans and non-fans alike! It’s super engaging, short and sweet and has such amazing talent both in front of and behind the camera!

Jason Reitman accepting the Vanguard Director Award.

Jason Reitman accepting the Vanguard Director Award.

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