Everyone knows a Norman. It is the man or woman who knows practically everybody (“I know him. My nephew knows him. My wife used to babysit him.”) but no one knows what he or she actually does. This is the dilemma of those in the circle of Norman Oppenheimer, a New York City fixer also [&
From an upperclassman looking back at her freshman year at SCAD comes Fresh Advice, the run down on all of the SCAD programs, operations and secret tricks you need to know to make a smooth transition to SCAD life. Finals are here and cleaning your room is probably the last thing on your mind. But t
Despite the media’s hesitation toward two white filmmakers creating “Detroit,” John Boyega knew Bigelow and Boll would do the story justice. “According to her, it was not only a creative choice but a moral choice with her given platform, being the only [woman] in that realm in th
In a film that revolves around characters trying to find where they belong, “Wonderstruck” seems to suffer from the same struggle. It’s a mystery box in movie form, which lends initial intrigue but when its conclusion begins to teeter towards the traditional, any remaining quirky c
Interview by Asli Shebe Edited and Mixed by Rummel Medina During the 2017 SCAD Savannah Film Festival District interviewed writer and director of the short film “The View From Up Here,” Marco Calvani and producer Dean Ronalds. Their short is about two neighbors, Lila, a Syrian refugee wh
Video by Rummel Medina and Hunter Scully Interview by Emilie Kefalas Edited by Georgia Micheals Lifetime Achievement Award honoree and star of the film “Norman,” Richard Gere walked the red carpet on the closing night of the 20th anniversary of the SCAD Savannah Film Festival Saturday, N
This review contains spoilers for the film. We live in a world of tragedy; it’s undeniable and yet we often turn our faces away, regardless. In his new film, “Last Flag Flying,” writer/director Richard Linklater looks familial and military tragedy plainly in the face without lamenting or glori
You can’t help but to notice during the first half of “Rabbit Punch” how the camera frames Job, the main character. He’s shown by himself through both close-up and wide shots and when other are in frame they’re blurry and out of focus. This sense of isolation in the fir
Video by Georgia Micheals and Hunter Scully Interview by Rummel Medina Edited by Georgia Micheals Stars of the hit TLC show “Trading Spaces” and friends of SCAD, Ty Pennington and Hildi Santo-Thomas made an appearance on the red carpet Thursday, Nov. 2 during the 20th anniversary of the
The SCAD Savannah Film Festival hosted a panel titled “Women of Sci-Fi and Horror” on Thursday morning, led by a collection of women from the industry. On the stage sat moderator Sandy Leviton, writer and producer for Under the Stairs Entertainment; Olivia Mascheroni, an acquisitions spe